日韩午夜精品视频,欧美私密网站,国产一区二区三区四区,国产主播一区二区三区四区

--- SEARCH ---
WEATHER
CHINA
INTERNATIONAL
BUSINESS
CULTURE
GOVERNMENT
SCI-TECH
ENVIRONMENT
SPORTS
LIFE
PEOPLE
TRAVEL
WEEKLY REVIEW
Film in China
War on Poverty
Learning Chinese
Learn to Cook Chinese Dishes
Exchange Rates
Hotel Service
China Calendar


Hot Links
China Development Gateway
Chinese Embassies

Q&A with Director/Actor Chen Daming

Actor/director/writer Chen Daming discusses seeing movies from different points of view:

When did you first want to get involved with making movies?

I was trained as a Chinese opera singer from age 11 to 17 until I was expelled. I always wanted to be actor, but when I was growing up being a film actor there weren't many parts available. Back then, almost every actor, no matter how small the part, was a star.

How did you make the jump from acting to directing?

When I studied acting at the Beijing Film Academy they didn't just train an actor to be an actor, they trained us to be directors in a way. Even now, they train actors to do a lot of sketching, to create a story with characters and a setting.

How did your years in the US affect your writing and filmmaking?

In the States, I discovered they train actors with a totally different method. They train people basically on how to do a line, to look at each other and try to guess what the other person is thinking about. In China they train you to create a story, to create a character, to create the environment.

What kind of movies do you like?

I believe there are two kinds of movies. Cinematic movies, where nothing needs to happen doesn't even need dialogue, but uses visual elements to create the atmosphere. Then there's character driven movies. I respect both kinds, but as an actor, I have to like character driven movies.

How does being a director impact your work as an actor?

I used to argue with directors all the time. After I became a director, I understood directors better and let them do their job. Now, when I set up the shot, I ask the question, why I am setting up the shot? Whose point of view is it from? I always try to find out why we set up the shot the way we do. What it is that we want to get? It makes everything simple and clear, because the shots become so psychological.

In the future, do you see yourself taking the acting route or directing?

I am going to do both. Doing both definitely makes you a better artist. I think whatever you do in art is related to your point of view. How do you see the arts? What information do you have? They definitely help each other.

What can we expect from you in 2005?

My first movie, Manhole, will be released and I'll start shooting my second film called One Foot On the Ground about three Chinese opera singers set in my hometown of Kaifeng.

(cityweekend.com January 14, 2005)

Film Directors Association Taps Tops in Industry
Zhang Yimou Named Best Director by US Critics
Six Chinese Films to Look Out for in 2005
Top Director's New Endeavor
Feng Xiaogang's New New Year Plan
Director Wang Chao Wins Award in France
Jia Zhangke Judges at Torino Film Festival
Print This Page
|
Email This Page
About Us SiteMap Feedback
Copyright © China Internet Information Center. All Rights Reserved
E-mail: webmaster@china.org.cn Tel: 86-10-68326688
主站蜘蛛池模板: 南城县| 邛崃市| 宁明县| 开江县| 抚州市| 宁陕县| 宁安市| 弋阳县| 苍山县| 舟山市| 延寿县| 清流县| 衡水市| 刚察县| 襄樊市| 望奎县| 乐业县| 海伦市| 靖江市| 阿拉尔市| 垫江县| 平陆县| 五寨县| 岢岚县| 碌曲县| 塘沽区| 南投市| 祥云县| 枣阳市| 江山市| 循化| 舒城县| 行唐县| 剑川县| 濮阳县| 改则县| 抚松县| 双柏县| 黄陵县| 七台河市| 山东省|