Everyone talks about revitalizing Peking Opera, adding modern
elements and attracting new young fans. A popular though
controversial "New Peking Opera" production downplays some
traditional elements and introduces something that make purists
frown: modern ballet, folk dance, Western opera and kabuki
theater.
Innovative Peking Opera artist Wu Rujun, returning from 20 years
in Japan, will stage his production "The Love of the Cowherd and
Weaver Girl" at Shanghai Yifu Theater on December 7 and 8.
To many Peking Opera fans, Wu is known for his versatility in
playing the two-stringed "jinghu" fiddle, a traditional opera
accompaniment, and playing impressive female roles.
He returns to Chinese opera after 20 years' innovating in music,
performing Peking Opera, founding a company and spreading the word
about Peking Opera in Japan.
The "Cowherd and Weaver Girl" is not known as a Peking Opera, so
the production is a first not only bringing it to the Peking Opera
stage but also in modifying traditional opera and incorporating
other forms of theater.
The story of star-crossed lovers, the weaver daughter of the
Emperor of Heaven and an orphaned mortal cowherd, is the origin of
Chinese Valentine's Day. They are separated by the Emperor and only
allowed to meet once a year on the day of "Qixi" - the seventh day
of seventh lunar month - when they cross the Milky Way on a bridge
of magpies' wings.
Wu will play the weaver girl. The cowherd will be played by
veteran performer Wang Ping, who also is director of Tianjin Peking
Opera House. The opera also features Kou Chunhua, known for his
roles as "chou" (clown) characters.
The production, which debuted in Beijing in August, attracted
some controversy for its dilution of the traditional art form, but
it was very popular with audiences.
It attempts to connect Peking Opera with different theater
genres, such as traditional Japanese kabuki theater and modern
ballet.
Some stylistic and other elements in the facial makeup and tunes
of traditional Peking Opera have been weakened to attract a wider
audience. Folk dance, ballet and even Western opera are part of
several dreamlike scenes.
"Though the show may have created a controversy, it was very
popular in Beijing," says Zhou Youcheng, a Peking Opera expert and
critic.
"Actually, what the audience needs is a developing and vibrant
art form that suits today's market. Wu's efforts might be an
inspiration for our traditional arts," he says.
Wu himself says his work is influenced by Japanese culture, as
his wife is Japanese, and calls his production "New Peking Opera."
His first six productions, including Peking Opera "Swan Lake," were
welcomed by Japanese audiences. In 2000, he founded a Peking Opera
troupe in Japan.
Date: December 7-8, 7:15 pm
Venue: Yifu Theater, 701 Fuzhou Road, Shanghai
Tickets: 80-580 yuan
Tel: 021-6217 2426, 6217 3055
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?(CRI.cn November 28, 2007)